ceelove: (serendipity)
Hey, remember before the heat wave...I mean, "spring"...when it was really chilly? Me neither. But I have proof that it exists, in that I was doing about the only thing I could then: create characters and drag them through funny hell.

The end product is Venn Diagram, a six-character version of the idea that I tried last year with Twelve Nights: longtime monogamously-coupled friends suddenly fall in love with each other and messily figure out the new polyamorous terrain. It's kind of like I was taking a photo at too great a distance, and now I've focused in on the details in one section. I've had beta readers whom I trust telling me it's good (and much easier to follow than before). Now I'd like more opinions, before I spend my summer querying theaters about this & Pyglation and Gamalea.

I'm thinking I'd like to do a read-through sooner rather than later of this. I'll need three male-presenting and three female-presenting people (plus one for reading stage directions). Would you be up for reading or attending in a few weeks? Would you like to have a PDF script to read?
ceelove: (serendipity)
Earlier this year, I wrote a new play, Twelve Nights. This time I cleverly excluded any of those bothersome songs, hoping that would make it more stageable, but less cleverly sabotaged the play by using twelve characters. I had fun in the writing and learned from the feedback, and next year I'll write a new play with many of the same themes but half the characters.

For now, though, I'd like to have a read-through. Just for funsies. To be done properly, it will require twelve readers, six female-presenting and six male-presenting (plus one for stage directions).

But wait, Cee, what's this play about? Friendship, sex, religion, and mid-life crises. It's a comedy of manners, a modern take on what happens when a love potion a la Midsummer Night's Dream sends a group of friends into a tailspin. It's a love letter to a certain romantically adventurous subset of my community. I'm told that it's witty, interesting, and timely.

So, who will take a role? All I need is twelve other people who can commit to getting together once to read aloud, some time in the next month or two. If there's more interest in that, then yay, we'll have backup readers (which we might need, with a cast of twelve) and maybe even an audience. If there's sufficient interest, I'll reserve a library room or somesuch for the read-through.

Comment or email me at ceelove [at] speakeasy (dot) net, and I'll get you a PDF of the script.
ceelove: (serendipity)
I'm humming along on Twelve Nights, my new (non-musical) play, with four (of twelve) scenes done. It's about polyamory and community and friendship and belief systems and parenting and modern life. Warning, it has twelve principle characters (no small parts), so there's a lot to keep track of: part of what I need to know is, is it All Too Much?

I'm excited and self-congratulatory and in need of a reality check. Want to give me one? Read my 30 pages (it will take you maybe 20 minutes?) and tell me what you think.

Given an email address, I can point you at a dropbox link or send you a PDF.

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